#N canvas 0 34 918 591 12;
#X obj 180 96 inlet;
#X obj 169 288 pack;
#X obj 169 395 line~;
#X obj 169 262 sqrt;
#X obj 169 480 *~;
#X obj 169 419 *~;
#X obj 169 443 *~;
#X obj 92 478 inlet~;
#X obj 92 526 outlet~;
#X obj 92 502 +~;
#X obj 434 411 line~;
#X obj 434 435 *~;
#X obj 434 459 *~;
#X obj 434 283 mtof;
#X obj 405 187 +;
#X obj 434 307 sqrt;
#X obj 434 331 sqrt;
#X obj 434 387 pack;
#X obj 189 343 r reset;
#X msg 189 367 0 20;
#X obj 180 120 data-start template-toplevel;
#X obj 6 150 data-array template-toplevel amp template-amp;
#X obj 433 148 data-array template-toplevel pitch template-pitch;
#X obj 308 437 noise~;
#X obj 485 259 +;
#X obj 485 282 mtof;
#X obj 485 306 sqrt;
#X obj 485 330 sqrt;
#X obj 485 411 line~;
#X obj 485 435 *~;
#X obj 485 459 *~;
#X obj 485 387 pack;
#X obj 384 411 line~;
#X obj 384 435 *~;
#X obj 384 459 *~;
#X obj 384 387 pack;
#X obj 384 284 mtof;
#X obj 384 308 sqrt;
#X obj 384 332 sqrt;
#X obj 384 262 -;
#X obj 240 520 vcf~ 10;
#X obj 315 520 vcf~ 10;
#X obj 390 516 vcf~ 10;
#X text 13 7 This is an abstraction used in the sequencer example.
Here we take care of the audio synthesis \, according to timed controls
from the the "data-start" and "data-array" subpatches.;
#X text 521 459 calculate time-varying center frequencies;
#X text 470 512 ... for three VCFs acting on a noise source.;
#X text 85 394 Amplitude;
#X text 86 410 envelope;
#X text 94 549 summing bus;
#X text 346 62 Pitch is in eighth-tones (because 4 pixels per half
tone looks reasonable on the screen.) Hence the * 0.25 objects below.
;
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